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Seeking Voice Actors for “The Last Sacrament”

****AUDITIONS NOW CLOSED****
Thanks to everyone who auditioned! Here is the resulting cast:
Nikolai – Christopher Vitemb
Katerina – Sara Secora
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About the Echoes of the Fey

Echoes of the Fey is an English-language visual novel series that combines the magic of high fantasy with the mystery of the classic detective novel. You play as Sofya Rykov, a private investigator operating in a town on the contentious border between the Humans and Leshin (Elves). While her job is to uncover secrets, Sofya has a dangerous secret of her own: unlike other Humans, she can use magic. It’s a handy trick for solving cases – in the rare instances she can control it.

About Episode 2: The Last Sacrament

The Last Sacrament will be the next installment of the ongoing series. Sofya’s loyalty grows divided when politics clash over the town’s water system. Her childhood love, who also happens to be the Emperor’s daughter, seeks Sofya’s protection from mysterious threats. But a ruthless politician seeks a fourth drop of Eszther’s Sacrament — the consumption of which is the greatest heresy against the Krovakyn Church — and he will go to any lengths to ensure that Sofya delivers it to him.

Released episodes:

Episode 0: The Immolation
Episode 1: The Fox’s Trail

Payment and Expected Work

– Payment will be $0.50 per line. Lines are categorized as each block of dialogue that appears on the screen at once, and can range from about 1-40 words, typically 1-2 sentences. They can also be “expression lines,” which are even shorter clips of dialogue used for emotional punctuation throughout the game. Payment includes at least two takes of each line, preferably more.

– The amount of recording needed is not yet set in stone. Shortly after choosing the cast, we will request a recording of expression lines (30-60 short lines of expressive dialogue). After that, we will request some scene dialogue over the next few months as our budget allows.

Rating/Maturity

This game will contain some adult language and sexual themes. However, we expect to remain in the Teen / PG-13 rating category.

Audition Process

Please record the included audition lines for the role that interests you and send them in either .wav or .mp3 format to jenny (at) woodsy-studio (dot) com. Multiple takes and styles are highly encouraged so I have a good sense of your range. Auditions will remain open until March 12, 2017.


Katerina Konstantinova Lapidus

  • Female
  • American accent
  • Appears both as an adult (20s) and teenager (about 13 years)

Katerina has a kind and empathetic nature, but she also grew up as the daughter of the Emperor during a time of warfare. Her kind nature is frequently in conflict with her need to firmly represent her father’s interests and crush her opponents. She rejoices in any opportunity she finds to kick back and behave like an ordinary young woman. She hates being called “princess” or any other unnecessary flattery. This is why she enjoys Sofya’s company so much. Sofya has never cared for politics, and always knows how to forget about all problems and have fun.

Katerina will mostly appear as an adult in the story, but there will also be flashbacks to her as a young teenager meeting Sofya for the first time. Therefore there are audition lines for both adult and teenaged Katerina (around 13 years old).

Please send lines for both adult and teenage Katerina, as she will appear as both in different parts of the story. Teenage Katerina should sound younger/higher-pitched.

Adult Katerina Audition Lines
KATERINA (angry): All of this was about a photograph?
SOFYA: I don’t know. But, Kat, take a deep breath. You’re okay.
KATERINA: I’m sorry, Sofyuska. I just… I had no idea that this might actually happen. When I hired you… I didn’t really think…
SOFYA: You didn’t think you were really in danger?
KATERINA: Not real danger! Not like this! I thought they’d throw vegetables at me or tag my carriage.

Teenage Katerina Audition Lines
SOFYA: Thank you, Kater– Uh, Lady Lapidus.
YOUNG KATERINA: PLEASE don’t call me that. I’m so sick of everyone sucking up to me.
YOUNG KATERINA: Just call me Kat.
SOFYA: Okay… Kat.
YOUNG KATERINA: Now, if you’re going to be stuck in the castle for the winter, maybe we can at least have some fun.

 

Nikolai Fyodorovich Melinkov

  • Male
  • American Accent
  • Late 20s/early 30s

Nikolai Fyodorovich Melinkov is the eldest heir of House Melinkov. House Melinkov is one of the wealthiest families of the west and one of the staunchest opponents to Imperial control of the borderlands. They are led by Nikolai’s grandmother, Alma Melinkov. Nikolai is the heir because his father (Alma’s son) died during the war and Alma’s daughter is a church matriarch.

Nikolai never wanted the responsibility of leadership. He is a man who enjoys fine dining and classy entertainment. If he had his way, he would run a theater or prestigious tavern rather than control his family’s domain. He also believes that his dying grandmother, Alma Melinkov, is much better suited to protect the family than he is. For this reason, he will use whatever tools he possesses to extend Alma’s life and protect the family’s interests in the meantime–even if that means breaking the most sacred law of the Krovakyn Church and blackmailing Sofya to help him.

IMPORTANT NOTE: We would like Nikolai to sing at some point in the game. Payment for recording song vocals will be a flat $50. Please include a singing sample with your audition

Audition Line 1:
NIKOLAI (firm, threatening): You will do as I say, Lady Rykov. My sister has ten copies of this photograph. If I do not wire back to Volgrad with other instructions within the hour, she will send it to Patriarch Arkady here in Vodotsk. However, if you deliver the Sacrament to me, I will destroy every single copy of the picture and the glass impression.
Audition Line 2:
NIKOLAI (determined): We are GOING to build a dam, and we’ll make the Leshin pay for it!

Audition Part 3:  Please include a singing clip!


I’ve also posted auditions to the following sites:
Newgrounds
Casting Call
Voice Acting Club

Send all audition clips and any questions you might have to jenny (at) woodsy-studio (dot) com. Thank you and good luck!

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Your Friendly Neighborhood Vampire Detective

Last weekend I participated in the STL Scatterjam 2015 with Malcolm Pierce and musician Sarah Wahoff. Scatterjams are a type of game jam that started in St Louis last year. Teams are encouraged to form up long before the jam begins, thereby skipping the awkward phase of most game jams in which teams are hastily formed amongst strangers. While it’s still good to try working with new people during a jam, for a Scatterjam you have more time to reach out to other members of your community and ensure the team you form is a good fit. Group festivities are only at the beginning and end of the jam; while working on games, teams can scatter as they please to work at home or elsewhere.

The theme was “connections.”

It’s a broad theme that can encompass almost anything, so my team had a hard time deciding what sort of game to make at first. We drank beers and threw some ideas onto a white board. But as soon as Malcolm said, “What if you’re a vampire detective…” we knew we were on to something fun.

We decided to use RPG Maker like last year, and Malcolm is the RPG Maker expert, so he got to building the environment while I sat down and started drawing. We decided to put all of our assets through a specific color pallet, so that the tiles that come packaged with RPG Maker would have a fresh look. Sarah started composing some melodies, and we all dove deeply into the work.

On the second day of the jam I took a short break from drawing to try collaborating with Sarah on music. I haven’t had many chances to collaborate with other musicians, so I really enjoyed rearranging one of her melodies into a new piece. You can hear the song we made together in the game, and a little clip of it at the end of the trailer.

Finally, I asked David Dixon if he had any interest in throwing his voice talent into the mix, because I’ve really enjoyed working with him on projects like the Serafina’s Saga animation and Serafina’s Crown. My team and and I tried to voice the rest of the cast with our own humble VA efforts (and less than ideal recording setup).

By the end of the game jam, we had this!

It has some pretty rough edges like anything that comes out of a game jam (and a few of the art assets may be a little familiar :p), but altogether I’m proud of our little dark comedy. There’s about 20-30 minutes of playable content altogether, including alternate endings.

Download it free from itch.io!

If you give it a try, I hope you enjoy it!

 

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Writing Good Female Characters

On many occasions, I have seen this question asked, or someone has asked me directly: “Do you have any tips for writing female characters?” My answer to this question is simple:

If you want to write a good female character, don’t try to write a female character. Write a good character… who just so happens to be female.

I’m sure I’ve written plenty of bad female characters. Men aren’t the only ones who struggle with this problem. We have all seen women portrayed a certain way in mass media, or through society’s expectations, so we tend to approach female characters as being distinctly female long before we start focusing on them as well-rounded characters.

In one of the first novels I ever wrote, my main character was a pathetic, swooning, boy-crazy snooze-ball. She embodied some of the worst stereotypes that women are typically given in popular entertainment. It didn’t matter that I was female and writing a female character. I didn’t sympathize with her at all. I was just writing a woman as I thought she was supposed to be written.

I didn’t realize my mistake until many years later. Before that, I tried switching over to writing male protagonists. I guess after that first disastrous novel, I thought to myself, “Wow, women are no fun to write about at all.” It wasn’t until many years later that I understood how blinded I was by my own acceptance of a woman’s typical role in mass media. And oddly enough, it was my boyfriend – now husband – who helped me realize my error.

Since then, I have tried to get better at writing strong, interesting female characters. I’m still working on improving. And that doesn’t mean I never write a female character who has lots of weaknesses.

A balance of flaws and strengths remains essential for writing any good character, male or female.

Another mistake I see a lot of writers make when trying to write “strong female characters” is that they make her completely perfect, with barely any weaknesses whatsoever. That is not an interesting character. That is a robot. Just make her human, with a decent balance of strengths and weaknesses that will keep us wondering whether she will overcome each challenge she faces.

If you continue to struggle with writing good female characters, as I do, try to take gender out of the equation completely when you’re first coming up with your characters. Outline their back-story, personality, and circumstances before you slap them with a male or female label. Or try switching the genders after you have fleshed out your general cast, and see if that might make a more interesting combo.

I’m not saying you can’t have any differences between your male and female characters. However…

The only times gender should significantly change your character’s behavior is when romance gets factored into the story, or when your story is set within a society that treats men and women with different standards.

Otherwise, gender simply shouldn’t play a large role in creating your characters. Yes, we may have different bodies, different hormones. But the differences are not black and white, and they fall in a scale from one person to the next. We are all human, and the rest is circumstantial.